Akai MPC 60 Manual do Operador descarregar pdf (Página 230)

Appendix

Page 224

The PGM (single program) file

Program name (file name is used)

For each of the 64 pads (A01–D16):

• Note number assignment

For each of the 64 note numbers 35–98:

• Sound name (name only—program contains no sound data)

• Sound assignment mode (normal, simultaneous, velocity

switch or decay switch)

• Alternate note number assignments (2)

• Velocity or decay switch thresholds (2)

• Envelope attack, decay and decay mode

• Velocity modulation of attack, start address and volume

• Tuning

• Poly mode (poly, mono or note off)

• Cutoff assignments (2)

Note variation data:

• Note number assignment for slider

• Low and high range limits for each of the three parameter types

(tuning, attack, or decay)

• For each of the 64 note numbers (35–98):

• Note variation parameter select

Program mixer data (for each of the 64 note numbers 35–98):

• Stereo mixer volume and pan

• Individual out/echo mix assignment

• Individual out/echo mix volume

• Indiv Out/Echo Mix Volume Follows Stereo (yes/no)

The APS (all programs and sounds) file

Program data for each of the 8 programs (see above)

Active program number

Source of mixer data (program, sequence or master):

• For stereo mix

• For individual output/echo mix

Record live mix changes setting (on/off)

Audio trigger note number assignment

Master mixer data (for each of the 64 note numbers 35–98):

• Stereo mixer volume and pan

• Individual out/echo mix assignment

• Individual out/echo mix volume

• Indiv Out/Echo Mix Volume Follows Stereo (yes/no)

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Akai MPC 60 Manual do Operador Página 230